Brand and appearance
This page assumes the site already builds (Quick start).
Start in hugo.yml for the name, logo, page width and footer. To select an
existing system or site font, use params.ui.fonts;
section accent colours also have configuration keys.
Add icons under static/. Use assets/scss/_variables_project.scss for
SCSS variables and assets/scss/_styles_project.scss for custom styles or new
@font-face declarations only when needed. Do not edit files inside the
theme directory: an upgrade replaces them.
Visual presets
OINK 1.2.0 defaults to Paper: warm paper backgrounds, ink text, blue links, Plex Sans, heading hairlines and framed tables. Slate keeps OINK’s existing cool blue-gray identity. Enable reader choice with:
The theme default for preset_menu is false. Choose preset: slate to keep
the previous appearance. Preset and mode are saved separately; selecting the
site default (identified in its tooltip) restores the site policy. All styles use one stylesheet
and local fonts.
Ink and Terminal are available as explicit opt-ins in OINK 1.2.0:
Ink uses black/white surfaces, red markers, square panels and underlined prose
links. Terminal uses mono controls/headings, teal links, amber accents and
compact desktop navigation; its long-form prose stays sans-serif. Both support
light/dark mode and reuse existing fonts. The menu shows four compact style
buttons in a two-column grid, each with a colored icon and no experiment badge.
preset_menu: true offers Paper, Slate and the site default; it does not opt
into every experiment. Set preset: ink or preset: terminal to make an
experiment the site default, even without a reader menu. See the
experiment record
for tested scope and remaining design work.
Custom dark brand rules using only [data-bs-theme='dark'] have lower
specificity than Paper’s dark palette. Retain Slate, or scope those rules to
[data-td-preset='paper'][data-bs-theme='dark']. Font configuration and section
theme_color overrides keep their precedence in every preset. Print remains
light on white paper.
Site name
The site name appears in the navbar, the browser title and the footer. A multilingual site writes one per language:
The top-level title is the fallback, and languages.<lang>.title wins.
Logo and wordmark
The theme ships assets/icons/logo.svg and uses it by default. To replace it,
put the icon file in the site’s assets/ or static/ and point the
configuration at it.
params.logois the square mark, shared by the navbar, the sidebar and the footer. Underassets/it goes through Hugo’s resource pipeline (and can be fingerprinted); understatic/it is published as is. Either way the path is relative to theassets/orstatic/root.params.wordmarkis the horizontal wordmark. Once set, the navbar uses it instead of “icon + site name”, falling back toparams.logowhen the screen is too narrow. Left unset, “icon + site name” stays.
Crop the source SVG tight to the artwork, or the sizes will not line up. An SVG
needs a viewBox, and its colours should inherit currentColor or hold enough
contrast in both light and dark.
This site leaves both unset: the navbar pairs the theme’s own
assets/icons/logo.svg with the site title, drawn in the display font.
favicon
The favicon has no parameter. The theme scans the site’s static/ directory for
conventional filenames and emits the matching <link> on every page for
whichever it finds:
| File | Link generated |
|---|---|
static/favicon.ico |
rel="icon" |
static/favicon.svg |
rel="icon" type="image/svg+xml" |
static/favicon-32x32.png |
rel="icon" with sizes, emitted in ascending size order |
static/apple-touch-icon.png |
rel="apple-touch-icon" |
static/apple-touch-icon-180x180.png |
rel="apple-touch-icon" with sizes |
A sufficient minimum is favicon.ico plus favicon.svg plus
apple-touch-icon.png. A file with a size suffix has to be square (NxN) or it
is not recognized.
Generate these with any graphics tool. The theme needs no Node.js, and Hugo
simply publishes what is already in static/.
Extra head metadata such as a Web App Manifest is outside the scan; emit it
yourself through the layouts/_partials/hooks/head-end.html hook. To change the
discovery rules themselves (a different directory, more filenames), override
layouts/_partials/favicons.html in the site’s layouts/.
Accent colour and palette
Colour comes in two layers: Bootstrap’s semantic colours (Sass variables, at compile time) and OINK’s brand layer (CSS custom properties, at run time).
Change the semantic colours first; they decide the tone of buttons, links and callouts:
This file is loaded before Bootstrap and the OINK defaults, which is where
Sass variables are overridden. To reference a variable or map Bootstrap has
already defined, use _variables_project_after_bs.scss instead.
The brand layer is a set of CSS custom properties, and light and dark must be overridden in pairs or one mode leaks the original colour:
The brand properties available are --td-brand-elev (overlay ground),
--td-brand-silk (secondary text), --td-brand-copper and
--td-brand-copper-dim (the accent and its muted form),
--td-brand-line-strong (rules), --td-brand-header-bg (navbar background),
--td-brand-shadow-sm / --td-brand-shadow-md (shadows), and
--td-brand-mark-from / --td-brand-mark-to / --td-brand-mark-gradient (the
brand gradient).
Section theme colour
The brand palette above sets the colour of the whole site. theme_color is the
smaller instrument beside it: one hex that tints the accent grounds of the
shell, so a reader can tell which part of the site they are standing in without
being told.
It is more useful per section than site-wide. Written into a section root’s
cascade, it gives that whole section an identity — a navy Docs beside a
violet Blog and an orange Book — while the site default stays the brand colour:
Hugo resolves these cascade values on the section page as well as its descendants, so the pair is declared once. The same resolved pair drives the page’s accent and that section’s mark in the root switcher.
What it touches: the selected sidebar row and the greyed ground its neighbours take under the pointer, hover washes, the outline pill and its travelling rail and dot, a Book chapter’s headings under the pointer, tag and chip hovers, a content card’s hovered edge, a share button’s hover fill, text selection, focus rings, and each root’s mark in the sidebar switcher.
What it deliberately does not touch: prose links, external URLs, and inline code. Those are reading conventions, not brand surfaces — a page dense in identifiers should read as code and prose in every section, and a link should look like a link wherever it is. This is why the accent is its own custom property rather than a repaint of Bootstrap’s link colour.
The dark half is optional. Left out, it is derived by lightening the light
colour toward white until it clears AA body text on the dark canvas, so a
single-colour author cannot produce an unreadable dark palette. Name it
yourself when the derived value no longer matches the brand hue you want.
The light colour is the key: theme_color_dark on its own, or beside an
invalid theme_color, colours nothing in either mode — the theme warns and
keeps the default palette rather than tint dark mode alone.
A page inside a coloured section can decline the colour with the theme’s
bare-boolean idiom: theme_color: false in front matter opts that page out —
inherited dark half included — and reverts to the default palette without a
warning. Any other non-hex value (a number, true, a named colour) warns.
The theme reads your colour against its own canvases and warns when it falls
below AA body text (4.5:1). The colour still ships: a custom canvas or a
brand mandate is your call. The warning carries an ignoreLogs id that
silences it, and because publishing builds with --panicOnWarning, the gate
stops until you either darken the colour or silence the check.
The check reads the colour against the page canvas. Some interactive surfaces reuse it as both ink and a translucent wash — a linked solid badge, for example, uses accent ink over a 12% accent wash — and that pairing is tighter than the canvas check. If a colour only just passes, inspect those surfaces and go one step darker when needed.
Hugo merges params by key, so a page overriding theme_color inside a section
whose cascade also sets theme_color_dark inherits that dark value. Override
both, or neither.
Light and dark mode
The theme does not show a light/dark control by default. To enable it:
The sun/moon icon shows the current state: sun for light, moon for dark.
Click Appearance in the navbar or footer to open the Light / Dark / System
radio group. It supports touch and keyboard; on phones it opens a bottom
sheet. The preference is saved locally and synchronized across tabs. No saved
choice means follow prefers-color-scheme. The inline head script applies the
resolved mode before the stylesheet loads.
For the dark palette without the control, write
dark_mode: { show_menu: false, enable: true }; dark_mode: false (the
default) enables neither.
Custom components need readable hover, focus, disabled and selected states in both modes, with at least 4.5:1 contrast for body text and 3:1 for large text.
Fonts
The typography policy is selected at build time; visual preset switching chooses its bundled faces:
technical(the default): Paper uses IBM Plex Sans for interface, body and display text; Slate uses Inter for interface/body and Chakra Petch for display. Both use Chakra Petch for the wordmark and IBM Plex Mono for code. Chinese and emoji use platform fallbacks. Plex Sans and Inter include local Latin, Cyrillic, Greek and Vietnamese subsets. No Google Fonts request is made.- Experimental fonts: Ink uses Inter for UI, prose and headings; Terminal uses IBM Plex Mono for controls/headings and Plex Sans for prose. Both reuse existing code fonts. Explicit
fonts.uistill supplies the main face; usefonts.bodyfor a separate prose face. system: the interface, display, metadata, print and monospace roles all fall back to the platform stack, and the browser requests no brand font. The font files still ship with the theme; they are simply not referenced.
An invalid value warns and falls back to technical, so an ordinary
hugo server stays usable; publishing gates run --panicOnWarning, which is
where that warning becomes a hard failure. The chosen value is written to
<html data-td-typography="…"> and can be confirmed in the browser.
Custom fonts
The font roles are eight CSS custom properties. Override them rather than hunting for component selectors:
| Property | Config key | Where it is used |
|---|---|---|
--td-ui-font-family |
ui |
Navigation, controls and interface text |
--td-body-font-family |
body |
Body text and blog posts |
--td-heading-font-family |
heading |
Headings in the body |
--td-code-font-family |
code |
Code and terminals |
--td-display-font-family |
display |
Display headings |
--td-meta-font-family |
meta |
Technical labels and metadata |
--td-brand-font-family |
brand |
Wordmark |
--td-print-font-family |
print |
Print body text |
ui is the main face: body resolves through it and heading through body,
so a single line moves the interface, the prose and the headings together.
From configuration
To swap font families and nothing else, skip SCSS and write
params.ui.fonts:
These are family names, not font files. The theme never downloads or loads
a font because of this key: a family here must be one the reader already has,
or one the site declared in an @font-face of its own. End every list with a
generic family (sans-serif, monospace, serif) — that is where a reader
without your face lands.
Values are gated to plain font family syntax: quoted names, bare identifiers,
a leading hyphen (-apple-system), and names spelled in any script (苹方 is
a family name). Semicolons, braces, parentheses, url() and angle brackets do
not pass. An unknown role or an unsafe value warns and is dropped on its
own; the rest of the map still ships. A site that sets nothing gets no style
element in <head> at all.
The block renders after the stylesheet, which is what lets an authored face
outrank the typography preset at equal specificity.
From a stylesheet
To ship a font file of your own, or to change the face for one kind of content
only, use a stylesheet. Put the .woff2 in the site’s static/webfonts/,
declare the face in the project stylesheet, then rewrite the roles:
Roles inherit by ordinary CSS rules, so changing the font for one kind of content needs no component selectors either:
A monospace stack needs a CJK fallback, or mixed code blocks fail to align:
A site migrating from Docsy need not change how it writes this. The old Sass
variables still feed the corresponding roles, still work from
_variables_project.scss, and take precedence over the preset defaults:
| Legacy Sass variable | Font role it feeds | Note |
|---|---|---|
$td-fonts-serif |
--td-ui-font-family / --td-body-font-family |
Docsy’s interface stack, assigned to $font-family-sans-serif |
$font-family-sans-serif |
--td-ui-font-family / --td-body-font-family |
If a project supplies its own stack, the technical preset no longer prepends the preset’s bundled sans face |
$font-family-base |
--td-ui-font-family / --td-body-font-family |
Bootstrap’s body variable, reaching the role through --bs-body-font-family |
$headings-font-family |
--td-heading-font-family |
Unset, headings inherit the body role |
$font-family-code |
--td-code-font-family |
Code, terminals and pre / code / kbd |
$td-font-family-monospace |
--bs-font-monospace |
Assigned to $font-family-monospace |
$font-family-monospace |
--bs-font-monospace |
Under the system preset, an explicit project value beats the platform monospace stack |
Docsy’s three Google Fonts variables — $td-enable-google-fonts,
$td-google-font-name and $td-web-font-path — are no longer read by the
theme. Leaving them in _variables_project.scss breaks nothing and does
nothing: what ships with the theme is IBM Plex Sans, Inter, Chakra Petch and IBM Plex Mono, and
no preset requests anything from Google Fonts. The print role
--td-print-font-family follows the body role, and the theme ships no separate
font for paper.
YAML accepts font family names only — neither a remote font URL nor arbitrary CSS. Font files and styles must both be auditable local inputs, and an ordinary build makes no network request for a font.
Page width
page_width controls the overall shell width and can be overridden per page or
per section by cascade. Book pages additionally have reading_width (slim /
normal / wide), which changes the reading measure of the body rather than
the shell. An invalid value in either key warns and falls back during ordinary
preview; the warning fails a publishing build with --panicOnWarning.
Footer
fat(the default): a multi-column link grid plus the copyright line;slim: the copyright line only;none: no footer at all.
Page front matter (including a section cascade) can override it; this site’s
documentation section uses footer_style: slim. An unrecognized value warns
and falls back to fat in ordinary preview; strict publishing rejects the
warning.
The grid’s data lives in data/footer/<language>.yaml — see
Navigation and menus. With fat
configured but no data, it degrades to slim automatically, so it can be
enabled before the content exists.
params.copyright accepts a Markdown string, or a map of authors /
from_year / to_year (present means this year). footer_center_info is
inline Markdown in the centre of the footer, and setting it explicitly to an
empty string hides that region.
SCSS entry points, and what not to do
A site’s SCSS overrides join the theme’s single style bundle, and a production
build still emits one fingerprinted stylesheet with an integrity attribute.
Three entry files go under the site’s assets/scss/:
| File | When to use it |
|---|---|
_variables_project.scss |
Sass variables set before Bootstrap and the OINK defaults ($primary, the font variables) |
_variables_project_after_bs.scss |
Variables or maps that depend on Bootstrap’s own definitions |
_styles_project.scss |
Selectors and CSS custom properties written after the theme’s component styles |
The compilation order is: Bootstrap functions → project variables → OINK defaults and Bootstrap → post-Bootstrap project variables → OINK components and the brand layer → project styles.
The CSS interface has a defined boundary. The eight font roles in
Fonts and the --td-brand-* properties are public, and the theme
keeps their names and meanings across minor versions. Component aliases such as
--td-asciinema-font-family promise only to work within that component, and
undocumented variables such as the --td-shell-* family are implementation
detail that may be renamed or removed at any time.
What not to do:
- Do not edit any file inside the theme directory (
hugo modoverwrites it); - Do not
@importthe theme’s internal partials individually — they are not a public Sass interface and their import order may change; - Do not override
baseof.htmlto change one colour. Use a design variable where one exists, and otherwise write the narrowest selector that works; - Do not reference a remote stylesheet or a font CDN.
For additional third-party CSS, publish a local resource through the
layouts/_partials/hooks/head-end.html hook rather than writing a <link> in
Markdown.
Verify
- The build prints
Total in …with no ERROR and no WARN; - The page source has
data-td-typography="technical"(or your chosen preset) on<html>; - In the browser the navbar shows your logo and site name, and the tab shows your favicon;
- Switch to dark mode and look again at body text, tables, callouts, code blocks and focus rings. A colour change is easy to verify in only one mode;
- Switch language and confirm the site name changes with it.
To verify the font change, inspect a paragraph’s font-family in the browser’s
developer tools. It should include your declared family. Check the rendered
font as well to confirm that the local file or system fallback is being used.
Related
- Configuration — types and defaults of the brand parameters
- Navigation and menus — navbar menu, page actions and footer data
- Layouts and page types — shell, sidebar and table of contents
- Images — images in the body, light/dark pairs and captions
- Home and landing pages — hero, sections and landing data